Last year, Philip Sandifer announced a project called the Weird Kitties, where he solicited short reviews from his readers of SF works they considered Hugo Award-worthy, so people could take them into consideration when voting for the 2015 Hugos. The project sadly didn’t last very long, but I managed to get in there with three reviews of SF stories I loved last year, the first of which was this. I had gotten really into The Mechanisms after reviewing them a month of so earlier, so I was keen to share that love in this review of their latest song. I’m quite proud of these reviews, and it was an honour to have my writing on such a brilliant site as Eruditorum Press. This article first appeared there on 13 September 2015.
If you’ve ever thought that Mary Shelley’s Frankenstein would have been better as a prog rock ballad, this new song from the UK-based steampunk folk band The Mechanisms looks to have you covered. Retelling the classic gothic tale as a ten-minute song about a rogue AI, Frankenstein, while perhaps the least grandiose of the Mechanisms’ projects to date, is still a wonderful piece of work, and crackles with the same energy as their lengthier albums.
The story is told in one long song, with linking narration putting one in mind of a geekier version of Jeff Wayne’s War of the Worlds. The tale concerns a far-future world where a scientist named Victoria Frankenstein creates a revolutionary AI, and… honestly, you know how the story goes from there.
Initially it might seem a bit of a disappointment, after three albums of giddy textual play in established musical genres and mythical traditions, to see the Mechanisms doing a straight pastiche of a specific text. But the band, to their credit, seem to realise the dangers of this approach, and turn them to their advantage. At ten minutes long the song is tight and focused, avoiding the slightly slipshod nature of their longer and more complex albums, and dialling back a bit on the usual self-indulgence. There’s also a genuinely clever twist at the end, which manages to convey a sense of shock as well as ironic inevitability.
But what really sells it is the technical side of things, which is excellent. The singing and instrumentation are both top-notch, with the shifts in tone handled deftly by the introduction of new musical techniques as the song goes on. As ever, the Mechanisms manage to turn what could easily have been a one-gag premise into magnificent entertainment by sheer skill and chutzpah.
This is a song which has clearly had a lot of thought put into it, as well as an awful lot of effort and talent And it’s that sense of passion which makes this song such a worthwhile piece of storytelling. These a clearly a group of people who care deeply about what they do, and long may they continue to do it.